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| The new Collusion CD is currently being mixed and mastered and will be available soon... Watch this space! |
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| Good Question/Collusion (David Kelsey) would welcome
any feedback you may have, so send any comments, criticisms, encouragement,
etc. to frogpond@diddyweb.com |
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Album: Faces in the Crowd
Recorded: 1994
at Vibrafeel Studios, Inala, Queensland |
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| Performers |
David Kelsey: Vocals, Keyboards, Backing Vocals
Dave Elms: Guitars, Backing Vocals
Steve Norris: Bass
Fred Waters: Drums
Additional Performers:
Warren Mitchell: Keyboards
Kate Husted: Backing Vocals
Mick Borkowski: Incidental Guitar
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| Lyrics |
Well I really am glad to see you leave
It saved me a lot of heartache and grief
Well I've been waiting for that day
When I'd see the last of you
And I've been waiting for that day
When we'd finally see the truth
And I've been waiting for that day....
It's like having a chance to start again
To get on with my life without all the pain
I'm gonna find somebody new
Someone who will really care
I'm gonna find somebody new
Someone who is always there
I'm gonna find somebody new....
Beginnings and endings, well they're all the same
And everyone's looking for someone to blame
Beginnings and endings, well there's nothing new
I've gotta blame someone, so I'm blaming you....
Well I couldn't talk and you wouldn't hear
So we sat and watched our love disappear
I think it's sad we never tried
To find a way to make things right
It's really sad we never tried
Instead of fighting every night
I think it's sad we never tried....
Well I really am glad to see you leave.... |
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Lyrics: David Kelsey
Music: Good Question/Jesse Parker
Arranged: Good Question/Jesse Parker
Copyright: D'Kade Songs
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| A Bit of Trivia |
Jesse Parker's influence on this song was quite profound in some ways. The lyrics had been written many years before, describing the breakup of one of DK's relationships.
We had been playing around with some ideas for the song, but were getting nowhere. Jesse looked at the words, came up with a melody for the first verse and we didn't look back from there.
However, the song just kept getting longer and longer.
The intro took shape gradually. We felt we wanted something that had an impact and the "Boston" sounding double lead guitars certainly gave it that.
Initially, the piano wasn't going to be part of the song, but after we had recruited Warren Mitchell to play some other things, he suggested adding the piano to it, just to give it a contrast to the opening.
The harmony vocals in the chorus have a story all to themselves.
DK was driving to the studio to record the backing vocals for several of the songs, and hadn't got any idea of what he would sing.
However, in the car on the way to the studio, he was trying to get inspired and suddenly came up with what he thought was a pretty good harmony.
When he got to the studio, he quickly told the engineer to line up the track and recorded the vocals as quickly as possible, before he forgot how to sing them!
As it turned out, the harmony fitted perfectly and added a significant amount of impact to the song.
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